Hame Came Our Gude Man ~ Williams

Hame Came Our Gude Man ~ Williams Hame Came Our Gude Man ~ RSCDS

Hame Came Our Gude Man ~ Williams is an English Country Dance. It was devised by Thomas Wilson in 1816 and published in A Companion to the Ball Room, London. It was interpreted by George Williams in 2024. It is a proper Triple Minor dance. The minor set lasts 32 bars.

Wilson writes (page 42):
SINGLE FIGURE (Each strain repeated)
Hands 3 round on the ladies side hands 3 round on the gent: side lead down the middle up again & set to the top Cu:

OR THUS Set & change places with 2d. Cu: set & back again lead down the middle up again & cast round the top Cu:

DOUBLE FIGURE (Tune played twice thro' with repeats)
Set & half right & left with 2d. Cu: set & back again promenade 3 Cu: whole poussette whole figure round contrary corners

The music consists of two 4 bar strains. Probably played as a reel rather than a strathspey.

The RSCDS is interpretting Wilson's DOUBLE FIGURE

Wilson defines most of his figures in his An Analysis of Country Dancing, 3rd Edition.

  1. Set, and half right and left may be found on page 50 Everyone sets in his or her place (he doesn't say whether this is to partner, neighbor or corner) then L1+M2 change by left, then M1+L2 change by right.
  2. promenade 3 Cu: is defined on page 18 and means that all three couples take promenade hold and, with the 1s leading, travel in a counter-clockwise elipse around and back to places.
  3. whole poussette is defined on page 15 and means: "top two couples join hands with partner, circle, counter-clockwise, one and a half times around the other couple to change places with them."
    Note: this is unlike a normal English Poussette as the couples travel once and a half around each other rather than once. And is quite different from the Scottish Poussette.
  4. whole figure contrary corners is defined on page 104. Rather awkwardly, Wilson provides two different (contradictory) directions. In the first "the 1s cross down, W1 in front of M1, W1 around M3, M1 around W3, then cross up, W1 around W2, M1 around M2, and return home". In the second the "1s cross up, W1 around M2, M1 around W2, then cross down W1 around W3, M1 around M3, and return home.

The animation plays at 120 counts per minute normally, but the first time through the set the dance will often be slowed down so people can learn the moves more readily. Men are drawn as rectangles, women as ellipses. Each couple is drawn in its own color, however the border of each dancer indicates what role they currently play so the border color may change each time through the minor set.

The dances of George Williams (including interpretations like this one) are licenced under a Creative Commons Attribution-NonCommercial-ShareAlike: CC BY-NC-SA license.

A11-21s+2s set
3-4W1+M2 change left, M1+W2 change right
A21-21s+2s set
3-4Change back: W1+M2 left, M1+W2 right
B1+21-8Three couple promenade round
A3+41-81s+2s poussette once and a half counter-clockwise, W1+M2 push
B31-41s half figure eight down through 3s
B41-41s half figure eight up through 2s

If you find what you believe to be a mistake in this animation, please leave a comment on youtube explaining what you believe to be wrong. If I agree with you I shall do my best to fix it.

If you wish to link to this animation please see my comments on the perils of youtube. You may freely link to this page, of course, and that should have no problems, but use one of my redirects when linking to the youtube video itself:

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The dance itself is out of copyright, and is in the public domain. The interpretation is copyright © 2024 by George Williams. And is released under a Creative Commons Attribution 4.0 International License. My visualization of this dance is copyright © 2024 by George W. Williams V and is released under a Creative Commons Attribution 4.0 International License.

This website is copyright © 2021,2022,2023,2024 by George W. Williams V
Creative Commons License My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.