Petronella ~ Anderson

Petronella ~ Contra Petronella ~ Contra Variants Petronella ~ Anderson Petronella ~ Lowes Petronella ~ variants Petronella

Petronella ~ Anderson is an old Scottish Country Dance. It was devised by Nathaniel Gow in 1820 and published in The Cries of Edinburgh. To which are added Petronella and a favorite new medley. It was interpreted by D. Anderson in 1897 and published in Ball-Room and Solo Dance Guide. It is a proper 4 Couple Longways dance. In this dance the couples are permuted by: 2341. The minor set lasts 96 bars.

The first dance in the first book of the (R)SCDS is Petronella.

According to the RSCDS (Book 1) this dance was "introduced" by Nathaniel Gow, a composer and musician of Edinburgh, in 1820. Although Gow published many tunes (including this one), I have been unable to find any choreographies by him.

Book 1 also says the dance was published in a book called The Ball-Room, 1827 (no editor, or publisher, or location given), but, again, I can't find this work.

The earliest description of the figure I've found was published by the Lowes in Lowes' Ball-Conductor and Assembly Guide. of 1831. The Lowes published in Edinburgh, and their book has three sub-categories of country dance: English, Scotch and Irish. Petronella is categorized as an "English Country Dance". They describe it thusly:

First couple chassé round to the right, and set in the middle; round to the right again, and set on the sides; to the right again, and set in places; down the middle, up again, and pousette.

By 1853, the Lowes had become just Joseph Lowe, and he published a somewhat different version in his Lowe's Selection of Popular Country Dances (courtesy of the National Library of Scotland):

First couple turn round to the right, and set opposite to each other in the middle of the Dance (4 Bars). Again round to the right, and set on the sides of the Dance, (4 Bars) Again round to the right, and set in the middle, (4 Bars) Again to the right and set in places. (4 Bars) First couple down the middle and up again. (8 Bars) Poussette with top couple. (8 Bars)
Courtesy of National Library of Scotland, licensed under:

In ~1868 H. D. Wilcock in Ball-Room Guide; A Manual of Dancing page 70, writes:

  1. First couple turn round to the right, and set in centre of dance (4)
  2. Turn to the opposite side and set (4)
  3. Turn to centre and set (4)
  4. Turn and set in places (4)
  5. Lead down the middle and up again (8)
  6. Pousette (8)

In 1868 Elias Howe in The Pianist's Matinee: A Collection of Music for the Piano-Forte, writes:

First couple turn round to the right, and balance opposite to each other in the middle of the dance. (4 bars) Again round to the right, and balance on the sides of the dance. (4 bars) Again to the right, and balance in the middle. (4 bars) Again to the right, and balance in places. (4 bars) First couple down the middle and up again (8 bars) Right and left with the next couple. (8 bars)

In ~1872 J. F. Wallace in The Excelsior Manual of Dancing, (Glasgow), writes:

  1. First couple turn to their right and set in centre of dance (4 bars)
  2. Turn into each other's place and set (4)
  3. Again turn to centre by right and set (4)
  4. Turn to places and set, (4)
  5. Down the centre and back, (8)
  6. Poussette, (8)

In 1897 in D. Anderson's Ball-Room and Solo Dance Guide, (Dundee)

Time 2-4
Turn to right in centre with two steps facing each other, then set to each other with two steps.
Turn into each other's places with next two steps then set with other two steps.
Turn to right in centre facing each other with two steps then set to each other with two steps.
Turn into places next two steps then set with other two steps (the four quarter turns describe the figure of a diamond).
First gent then leads his partner down the centre and back to places, the first and second couples pousette.
Repeat from the beginning other three times
Courtesy of National Library of Scotland, licensed under:

Note: Anderson very explicitly says the lead down and back returns to places, while fifty years earlier it had an implied cast off. That means his "pousette" must be progressive, though he does not say that explicitly.

Many pages later in the book Anderson defines a "Petronella Step". He does not explicitly say it is for petronella turns, rather he says This Step may also be used for Contra Dances, Circassian Circle, etc., in setting to partners, but must never be used for Quadrilles.

PETRONELLA STEP.
Stand in 1st position.
Hop out on right foot in 2nd position.
Bring left foot in front in 5th position.
Beat behind with right.
Hop out on left foot in 2nd position.
Bring right foot down in front in 5th position.
Beat behind with left.

He also describes how to line up for and dance a Contra (Country) Dance:

In Contra-dances the ladies should be placed with their right side next the top of the room. Before commencing any dance, gentlemen now bow to partners, 2 bars of music being allowed for that purpose. Four couples are quite sufficient to go down in any contra-dance. When the top couple has finished with the fourth couple, the second couple, who are now at the top of dance, repeat; and so on, till all couples have gone down.

The tune was published by Nathaniel Gow in about 1820. The music was synthesized by Colin Hume's software

The animation plays at 116 counts per minute normally, but the first time through the set the dance will often be slowed down so people can learn the moves more readily (no music plays during this slow set). Men are drawn as rectangles, women as ellipses. Each couple is drawn in its own color, however the border of each dancer indicates what role they currently play so the border color may change each time through the minor set.

I.A11-21s move, spinning, right and in, ending on the center line, facing
3-41s set to partner
5-61s move, spinning, right, ending in each other's places, facing
7-81s set to partner
I.A21-21s move, spinning, right and in, ending on the center line, facing
3-41s set to partner
5-61s move, spinning, right, ending home, facing
7-81s set to partner
I.B11-81s lead down the middle and back
I.B21-81s+2s poussette
II.A11-21s move, spinning, right and in, ending on the center line, facing
3-41s set to partner
5-61s move, spinning, right, ending in each other's places, facing
7-81s set to partner
II.A21-21s move, spinning, right and in, ending on the center line, facing
3-41s set to partner
5-61s move, spinning, right, ending home, facing
7-81s set to partner
II.B11-81s lead down the middle and back
II.B21-81s+3s poussette
III.A11-21s move, spinning, right and in, ending on the center line, facing
3-41s set to partner
5-61s move, spinning, right, ending in each other's places, facing
7-81s set to partner
III.A21-21s move, spinning, right and in, ending on the center line, facing
3-41s set to partner
5-61s move, spinning, right, ending home, facing
7-81s set to partner
III.B11-81s lead down the middle and back
III.B21-81s+4s poussette

If you find what you believe to be a mistake in this animation, please leave a comment on youtube explaining what you believe to be wrong. If I agree with you I shall do my best to fix it.

If you wish to link to this animation please see my comments on the perils of youtube. You may freely link to this page, of course, and that should have no problems, but use one of my redirects when linking to the youtube video itself:
https://www.upadouble.info/redirect.php?id=Petronella-Anderson

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The dance itself is out of copyright, and is in the public domain. The interpretation is out of copyright in the US, but I'm not sure of other jurisdictions. My visualization of this dance is copyright © 2024 by George W. Williams V and is released under a Creative Commons Attribution 4.0 International License.

This website is copyright © 2021-2025 by George W. Williams V
Creative Commons License My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.