Petronella ~ Lowes is an English Country Dance. It was devised by Nathaniel Gow in 1820 and published in The Cries of Edinburgh. To which are added Petronella and a favorite new medley. It was interpreted by The Lowes in 1831 and published in Lowes' Ball-Conductor and Assembbly Guide. It is a proper Duple Minor dance. The minor set lasts 32 bars.
According to the RSCDS (Book 1) this dance was "introduced" by Nathaniel Gow, a composer and musician of Edinburgh, in 1820. Although Gow published many tunes (including this one), I have been unable to find any choreographies by him.
The earliest description of the figure I've found was published by the Lowes in Lowes' Ball-Conductor and Assembbly Guide. of 1831. The Lowes published in Edinburgh, and their book has three sub-catagories of country dance: English, Scotch and Irish. Petronella on page 102 is catagorized as an "English Country Dance". They describe it thusly:
First couple chassé round to the right, and set in the middle; round to the right again, and set on the sides; to the right again, and set in places; down the middle, up again, and pousette.
In ~1868 H. D. Wilcock in Ball-Room Guide; A Manual of Dancing page 70, writes:
- First couple turn round to the right, and set in centre of dance (4)
- Turn to the opposite side and set (4)
- Turn to centre and set (4)
- Turn and set in places (4)
- Lead down the middle and up again (8)
- Pousette (8)
The first version I've found in the US appears in the book Prompting: How To Do It by John M. Schell, published Boston, 1890.
First couple balance to side (4); balance to center (4); balance to side (4); balance to center (4); first couple down centre and back, cast off (8); right and left (8).
Note that in 1831 the 1s simply chassé into position with no turn, but by 1868 they are turning into the middle, then in 1924 the (R)SCDS describes the figure:
1st woman moves from A to B with two pas de basque, leading off with the right foot and making a three-quarter turn by the right, in the middle of which she has her back to her partner.
1st man moves similarly from C to D.
The modern contra figure seems similar to that described by Wilcock in 1868.
The Lowes do not print their definitions of the terms they use in describing country dances, so we must guess. The 1st couple "chassé" — I assume that means, chassé right with no twirls or spins, and presumably all repetitions are the same. Then we have down the middle, up again and poussette. One of these must be progressive, but not both. If you look at Captain Fleming (page 101 of the same work) you will find down the middle, up again used as progressive. While in The Lady of the Lake, page 99, poussette is non-progressive.
The tune was composed by Nathaniel Gow in about 1820.
The animation plays at 116 counts per minute normally, but the first time through the set the dance is slowed down so people can learn the moves more readily (no music plays during this slow set). Men are drawn as rectangles, women as ellipses. Each couple is drawn in its own color, however the border of each dancer indicates what role they currently play so the border color may change each time through the minor set.
|A1||1-2||1s chassé right into the center (man down, lady up)|
|5-6||1s chassé right to opposite side|
|A2||1-2||1s chassé right into the center (man up, lady down)|
|5-6||1s chassé right home|
|B1||1-8||1s lead down, turn, lead up to 2nd place as 2s lead up|
|B2||1-8||Full poussette, W1+M2 push|
If you find what you believe to be a mistake in this animation, please leave a comment on youtube explaining what you believe to be wrong. If I agree with you I shall do my best to fix it.
The dance itself is out of copyright, and is in the public domain. The interpretation is out of copyright, and is in the public domain. My visualization of this dance is copyright © 2022 by George W. Williams V and is released under a Creative Commons Attribution 4.0 International License.
This website is copyright © 2021,2022 by George W. Williams V
My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.