Ladies in Center Back to Back ~ The Running Set

Ladies in Center Back to Back ~ Kentucky Square Dances Ladies in Center Back to Back ~ The Running Set Four Ladies to the Center ~ Ford

The Kentucky Running Set is the name Sharp gave to a style of dancing he found in the Southern Appalachians when he visited in 1917. The locals called the dances square dances even though they were often danced in large circles. Sharp, however, describes squares, and this is an attempt to follow his description.

Sharp mentions that these dances are always called: Normally, the caller recites certain prescribed verbal phrases, a mixture of prose and doggerel rhyme that, in the course of time, has become stereotyped. Sharp provides an appendix with the calls used at one of the dances he saw. Sadly I don't understand the calls he gives.

This style of dance begins with a common introduction:

• Circle left
• Partner two hand turn
• Corner two hand turn
• Promenade home
• Heads circle four
• and do-si
• Left hand turn and promenade home
• Sides circle four
• and do-si
• Left hand turn and promenade home

Each time a new figure is called, it begins with a "Grand Promenade." Sharp defines this as: partner two hand turn, corner two hand turn, promenade with partner half round, reverse direction (turn inward, without releasing hands), promenade back, partner two hand turn, corner two hand turn, partner promenade all the way around.

Then starts the first figure: the first couple moves right to the 2nd couple and does some figure with them. Then they move on to the next couple (3s) and do the same figure. Then on to the last couple and do the same figure. Then they do a do-si with that couple and promenade home.

Or that's how many figures work, this one is slightly different: everyone does the same thing and starts at once.

Most of the time the "Little Promenade" comes between repetions of the figure.

Then the 2nd couple repeats the whole thing, starting with the 3rd couple.

Another "Little Promenade"

Then the 3rd couple.

Another "Little Promenade"

And finally the last couple.

At this point they would do the grand promenade again, and the 1st couple would start with a new figure, and so forth.

Sharp adds a paragraph at the end of Appendix B where he mentions that in one dance he watched the progression was slightly different: the second couple would start as soon as the 1st couple reached the fourth (rather than waiting until the 1st couple had finished with the fourth and were home). This is exactly the progression that Ida Levin describes in her Kentucky Square Dances book (and is topologically the same as the progression used in longways duple minor sets from 1650 to 1850).

Sharp writes that the "Little Promenade" consists of:

Men turn their partners half-way round (four steps), turn their contraries half-way round (four steps), rejoin their partners, cross hands, and move once round the circle, with them, counter-clockwise to places, men on the inside (i.e. on the left of their partners).

Or that's how many figures work, this one is different: everyone moves at once.

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