

| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Antic Hay ~ Women | ![]() | George Williams 2026 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Grimstock
| |||||||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Jackey Tarr | ![]() | Thomas Wilson 1816 | Colin Hume | 3 Couple Longways permutation: 231 |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 3 | 5 | 4 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
Also known as: Crossover Reflection Reel.
Bars: 8.
A Crossover Mirror Hey is like a normal Mirror Hey except that the 1s cross over at the top before passing between the 2s. This means the 1s end improper.
Often one crossover hey will be followed by a second one so that everyone ends proper.
The earliest dance I know of with a crossover hey is Grimstock, 1651. But this dance has the 1s crossing both at the top and bottom of the set, so it is not quite what is usually meant by a crossover hey (closer to an Inveran reel). The next dance is probably Henry Playford's Caries Maggot from 1701. Both of these are subject to some interpretation. I think that's what's going on there, but not everyone will agree, however John Young's Soho Square, 1718, is less ambiguous:
The first Man Heys on the We. Side, and his Partner on the Mens Side at the same Time Then both Hey on their own Sides
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