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The Corporation
Country Dances, Ancient and Modern

Table of Contents

0-9 A B C D E F G H I J K L M N O P R S T V W Y

0-9

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
4 for the Gospel MakersFried de Metz Herman 1994no musicDuple Minor
9 for the Nine Bright ShinersFried de Metz Herman 1994no musicDuple Minor
11 o'clockFried de Metz Herman 2000no musicDuple Minor
The 29th of May
The 29th of May ~ HumeJohn Playford 1686
Colin Hume 1995
Colin HumeDuple Minor
The 29th of May ~ Pat ShawJohn Playford 1686
Pat Shaw (mod) ~1965
no musicDuple Minor
The 29th of May ~ SharpJohn Playford 1686
Cecil Sharp 1911
Colin HumeDuple Minor

A

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
À la Mode de France ~ BarracloughJohn Playford 1651
Michael Barraclogh ~1995
no music4 Couple Longways
Alexander's Birth DayGary Roodman 2003Doug Creighton, Erica Morse, Gene Murrow, Naomi Morse, Peter BarnesFacing Couples
Along the DeeJenna Simpson 2020no musicDuple Minor
AnnaVictor Skowronski 2009no musicDuple Minor
Anna's ClarinetJenna Simpson ~2024no musicDuple Minor
The Ape's DanceJohn Playford 1675
Colin Hume 2025
Colin HumeDuple Minor
Argeers
Argeers ~ Playford BallJohn Playford 1651
John Playford 1994 Playford Ball
Bare NecessitiesFacing Couples
Argeers ~ SharpJohn Playford 1651
Cecil Sharp 1912
Bare NecessitiesFacing Couples
ArgeresJohn Playford 1651
John Playford 1994 Playford Ball
Bare NecessitiesFacing Couples
At Rainbow's EndFried de Metz Herman 2002no musicDuple Minor
AtlantaSharon Green 2022no musicDuple Minor
Auld Lang Syne ~ WilliamsThomas Wilson 1816
George Williams 2022
Colin HumeTriple Minor
Autumn on the RiverGary Roodman 2018no musicDuple Minor

B

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Bar-a-BarJohn Young 1710
Fried de Metz Herman 1986 Playford Assembly
Bare NecessitiesDuple Minor
Barr a BarrJohn Young 1710
Fried de Metz Herman 1986 Playford Assembly
Bare NecessitiesDuple Minor
The Bath WaltzThomas Wilson 1816
Colin Hume 2023
Colin Hume3 Couple Longways permutation: 312
The Belle of GreensboroGary Roodman 2012Susan McNeill and Robert WinokurDuple Minor
The Best of CompanyJenna Simpson 2012no musicDuple Minor
Bickerstaff's ProphesieNathaniel Kynaston 1711
Andrew Shaw 2002
no music3 Couple Longways permutation: 231
Bingo!Jenny Beer 2016no musicDuple Minor
The Bishop's HalloweenFried de Metz Herman 2002no music3 Couple Longways permutation: 312
Bishops HeyJill Lawrence 1979Colin Hume5 Couple Longways permutation: 23451
Border ReelWright 1740
Bob Lilley ~2023
no musicDuple Minor
Bransle in the BarnMelanie Axel-Lute 2015Odd Sundays Garage BandDuple Minor
Braye's MagottThomas Bray 1699
Diana Cruickshank 2001 Playford Assembly
no musicDuple Minor
Bridges of New YorkFried de Metz Herman 2005no musicDuple Minor

C

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Cadger's CaperGary Roodman 1993no musicDuple Minor
Camp House HornpipeGary Roodman 1999no musicDuple Minor
The Carle came o're the Craft ~ WilliamsThomas Wilson 1816
George Williams 2024
no musicTriple Minor
Casterton CapersPhilippe Callens 2001no musicDuple Minor
Catherine's CallingJoseph Pimentel 2019GoldcrestDuple Minor
Charlene's CelebrationGary Roodman 2005Anna Patton, Karen Axelrod, Mary Lea4 Couple Longways permutation: 2413
The Cheltenham ConnectionPhilippe Callens 2010no music3 Couple Longways permutation: 312
Chestnut FarewellGary Roodman 2003no musicDuple Minor
Chloe's Farewell
Chloe's Farewell ~ 3 CoupleJohn Young 1718
George Williams 2025
no music3 Couple Longways permutation: 231
Chloe's Farewell ~ TripleJohn Young 1718
George Williams 2025
no musicTriple Minor
ChristinaNaomi Christina Alexander 1992Bare NecessitiesDuple Minor
Christine's ConundrumColin Hume 2001Colin HumeFacing Couples Becket
ChrysalisChris Sackett/Brooke Friendly 2009no musicDuple Minor
Circassian Circle ~ La Daphne (Chivers)G.M.S. Chivers 1822
George Williams 2024
no musicDuple Minor
Clutha ~ HughesKate Hughes ~1867
George Williams 2024
no musicDuple Minor
Cobbler's Hornpipe - Beer,3 CoupleJenny Beer 2008Colin Hume3 Couple Longways permutation: 231
Cobbler's Hornpipe - Beer,DupleJenny Beer 2003Colin HumeDuple Minor
The College Hornpipe - WillcoxAsa Willcox 1793
Kate van Winkle Keller & Ralph Sweet 1976
no musicTriple Minor
The College Hornpipe - Willcox, DupleAsa Willcox 1793
Kate van Winkle Keller & Ralph Sweet 1976
no musicDuple Minor
CompanionsVictor Skowronski 2003Bare NecessitiesDuple Minor
The Country CollJohn Playford 1651
Scott Pfitzinger ~2019
no musicDuple Minor
The CressonsGary Roodman 2018CilantrioDuple Minor
Crosbey Square ~ BoltonHenry Playford 1701
Charles Bolton 1997
Colin HumeDuple Minor
Crown the YearFried de Metz Herman 2001no musicDuple Minor
Crystal SpringOrly Krasner 2008no musicDuple Minor
Cuckles all a RowLovelace Manuscript ~1649
George Williams 2022
A Playford Ball
Bare Necessities
Facing Couples
Cuckolds all a Row
Cuckolds all a Row ~ LovelaceLovelace Manuscript ~1649
George Williams 2022
A Playford Ball
Bare Necessities
Facing Couples
Cuckolds all a Row ~ SharpLovelace Manuscript ~1649
Cecil Sharp 1911 Playford Ball
A Playford Ball
Bare Necessities
Facing Couples
Cuckolds all Awry ~ SharpLovelace Manuscript ~1649
Cecil Sharp 1911 Playford Ball
A Playford Ball
Bare Necessities
Facing Couples
Cynthia's WaltzDavid Macemon ~1993no music3 Couple Longways permutation: 231

D

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
DaphneJohn Playford 1651
Tom Cook Playford Assembly
no music4 Couple Longways permutation: 2413
The Duke of Gloucester's March - BrayThomas Bray 1699
Pat Shaw 1968
no musicDuple Minor

E

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
An Early FrostPhilippe Callens 2000no musicDuple Minor
Ease and EleganceFried de Metz Herman 1994no musicDuple Minor
Evergreen I
Evergreen IOrly Krasner 1999no musicDuple Minor
Evergreen IIOrly Krasner 2008no musicDuple Minor
The Eye of the StoreFried de Metz Herman 2000no musicDuple Minor

F

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
The Fair Ladies PalmerGary Roodman 1996no musicDuple Minor
The Fast PacketBob Lilley 1987Bare NecessitiesDuple Minor
Father's DayGary Roodman 2000Cilantrio4 Couple Longways permutation: 3142
Fine Companions WaltzGary Roodman 2008no musicDuple Minor
First Comes LoveJenny Beer 2013no musicDuple Minor
Flowers of Edinburgh - MayfaireTraditional (date unknown)Colin HumeDuple Minor
The Flying SorceressKalia Kliban 2007Bare NecessitiesDuple Minor
Fogg's FoldVictor Skowronski 2015no musicDuple Minor
Four Score and TenGary Roodman 2015no musicDuple Minor
The Friar in the WellJohn Playford 1651
Cecil Sharp 1922 Playford Ball
no music6 Couple Longways
From WandsworthJoseph Pimentel 2018GoldcrestDuple Minor

G

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
GambolsJenna Simpson 2014Colin Hume4 Couple Longways permutation: 3142
Garden State GallantryPhilippe Callens 2008no musicDuple Minor
Gentleman's DelightPhilippe Callens 1998no musicDuple Minor
The Gloucester - BrayThomas Bray 1699
Pat Shaw 1961
no musicDuple Minor
Goddesses #2John Young 1721
George Williams 2026
Colin HumeQuadruple Minor
Godwin's Humors
Godwin's Humors ~ 3 CoupleJohn Young 1710
Scott Higgs 2018
no music3 Couple Longways permutation: 231
Godwin's Humors ~ DupleJohn Young 1710
Scott Higgs 2003
no musicDuple Minor
Godwin's Humors ~ 3 CoupleJohn Young 1710
Scott Higgs 2018
no music3 Couple Longways permutation: 231
Godwin's Humors ~ DupleJohn Young 1710
Scott Higgs 2003
no musicDuple Minor
Going For Gold (4Cpl)Gary Roodman 2015no music4 Couple Longways permutation: 3142
Going For Gold (6Cpl)Gary Roodman 2015no music6 Couple Longways permutation: 315264
Gotham JubileeLoretta Holz 2006no musicDuple Minor
Grenadiers ExerciseThomas Bray 1699
Pat Shaw 1968
no musicDuple Minor

H

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Hame Came Our Gude Man ~ WilliamsThomas Wilson 1816
George Williams 2024
no musicTriple Minor
The Happy PilgrimGary Roodman 2023Anna Patton, Karen Axelrod, and Kate Barnes4 Couple Longways Becket permutation: 2341
The Happy ReturnGary Roodman 2005no musicDuple Minor
Heading for ZeroJenny Beer 2004no musicDuple Minor
A Health to all Honest Men
A Health to all Honest Men ~ HermanWalsh 1718
Fried de Metz Herman ~1989
Colin HumeDuple Minor
A Health to all Honest Men ~ HumeWalsh 1718
Colin Hume 2025
Colin HumeDuple Minor
HeartlandOrly Krasner 1999no musicDuple Minor
Hey, Boys, up Go We (Sharp)Lovelace Manuscript ~1649
Cecil Sharp 1911 Playford Ball
A Playford Ball
Bare Necessities
Facing Couples
HeybreakChris Page 2018no musicDuple Minor
HighfieldFried de Metz Herman 2000no musicDuple Minor
Hobb's WeddingHenry Playford 1695
Colin Hume 2007
Colin HumeDuple Minor
HoneyfuggleJenna Simpson 2020no musicDuple Minor

I

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Icing on the CakeFried de Metz Herman 2005no musicDuple Minor
Inklings RompRenée Camus 2018no musicDuple Minor
Ivy & a RoseJenny Beer 2015no music3 Couple Longways permutation: 312

J

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Jackson FineJoseph Pimentel 2019GoldcrestDuple Minor
John the Mad Man ~ HumeJohn Young 1726
Colin Hume 2025
Colin HumeDuple Minor
Joseph's IdyllVictor Skowronski 2003no musicDuple Minor
Joy(ce) of the TownGary Roodman 2008Bare NecessitiesDuple Minor
JoyrideErik Weberg 2007no musicDuple Minor
JubilationBrooke Friendly/Chris Sackett 2011no music2 Couple Longways

K

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
The King's PennyMarjorie Heffer & William Porter 1932no music4 Couple Longways
A Kissing Dance in the Country WakeHenry Playford 1695
Colin Hume 2007
Colin HumeDuple Minor
Knole Park - VoigtVoigt 1809
A. Simons 1961 Playford Ball
no musicDuple Minor

L

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Lady Baird's Reel ~ WilliamsThomas Wilson 1816
George Williams 2024
no musicTriple Minor
Lady Banbury's Hornpipe
Lady Banbury's Hornpipe ~ Hume/SharpJohn Playford 1657
Colin Hume 2021
Colin HumeDuple Minor
Lady Banbury's Hornpipe ~ SharpJohn Playford 1657
Cecil Sharp 1916
Colin HumeDuple Minor
Lewis Setting SwitchesJoseph Pimentel 2018GoldcrestDuple Minor
Lichfield SundaysFried de Metz Herman 1999no musicDuple Minor
Lichfield's Ruby SurpriseGary Roodman 2015CilantrioDuple Minor
Lincoln's-Inn GardenThomas Bray 1699
Pat Shaw 1961
no musicDuple Minor
The Long OddsPreston 1791
Woods 1958 Playford Assembly
no musicDuple Minor
LongevityOrly Krasner 2000Bare NecessitiesDuple Minor
Longfellow WinkClaudio Buchwald 1977no musicDuple Minor
Look Both WaysRich Jackson 1989no musicDuple Minor
Lord Nelson's WaltzWilliam Campbell ~1799
Regency Dances
no musicDuple Minor
Love thy NeighborFried de Metz Herman 1995no musicDuple Minor
The Lovely BrideNathaniel Kynaston 1716
George Williams 2025
no musicDuple Minor
The Lover's KnotJim Kitch 1993no musicDuple Minor

M

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
The Mad DogThomas Wilson 1818no musicDuple Minor
Mad Moll
Mad MollHenry Playford 1698
Pat Shaw 1963
Bare NecessitiesDuple Minor
Mad Moll ~ HumeHenry Playford 1698
Colin Hume 2007
Bare NecessitiesDuple Minor
The Maid Peept out at the WindowJohn Playford 1651
Cecil Sharp 1922 Playford Ball
no music6 Couple Longways
March of the Three KingsVictor Skowronski 2014no musicDuple Minor
Marchioness of Blandford's Reel ~ WilliamsWilliam Campbell ~1795
George Williams 2023
no musicDuple Minor
A Mark of DistinctionFried de Metz Herman 2000no musicTriple Minor
MayfairColin Hume 1990Colin HumeFacing Couples
Meeting and PartingAlan Winston 2018no musicDuple Minor
The Merry MusicologistPhilippe Callens 2008no musicDuple Minor
Michael and All AngelsFried de Metz Herman 1992Bare NecessitiesDuple Minor
MiddlemarchOrly Krasner 2001no musicDuple Minor
Movement AfootAlan Winston 2018no musicDuple Minor
Mr. Adson's MasqueGary Roodman 2003Erica Morse, Jessica Murrow, lydia ievins, and Margaret Ann MartinDuple Minor
Mr. Legge's InitiationJoseph Pimentel 2005GoldcrestDuple Minor
Mrs. Wilson's HornpipeThomas Wilson 1816
George Williams 2024
no musicTriple Minor
My Lady of the LakeLoretta Holz 2005no musicDuple Minor
My Only Joe & Deary O ~ WilliamsThomas Wilson 1816
George Williams 2024
no musicTriple Minor

N

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
New FriendsGary Roodman 2003MGM and ReunionDuple Minor
Nonesuch ~ BarracloughJohn Playford 1651
Michael Barraclogh ~1995
no music4 Couple Longways
Norbury ParkFried de Metz Herman 2000no musicDuple Minor
NostalgiaFried de Metz Herman 2006no musicDuple Minor
Now is the Month of Maying ~ OrigJenny Beer 1997no musicDuple Minor

O

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Off She Goes ~ HoweThomas Wilson 1816
Elias Howe 1858
Colin HumeTriple Minor
The OperaJohn Playford 1675
Colin Hume 2025
Colin HumeDuple Minor
Orleans BaffledJohn Young 1710
Cecil Sharp 1916 Playford Ball
Bare NecessitiesTriple Minor
Ormond HouseHenry Playford 1702
Douglas & Helen Kennedy 1929
no musicDuple Minor

P

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
The Parson's CapThomas Bray 1699
Pat Shaw 1962
no musicDuple Minor
Party CircleFried de Metz Herman 1990no musicCircle as many as will
PassagesKalia Kliban 2008Odd Sundays Garage BandDuple Minor
Peggy's Love ~ WilliamsThomas Wilson 1816
George Williams 2023
no musicTriple Minor
A Person of QualityJenna Simpson 2012no musicDuple Minor
The Physical SnobUnknown ~1800
Bernard Bentley 1962 Playford Assembly
Bare Necessities3 Couple Longways permutation: 231
Poussette ReflectionVic Ceder 2019no musicDuple Minor
PoussettronellaCharlie Abell 2019no musicBecket
Pretty Nun ~ WilliamsJohn Young 1726
George Williams 2021
no musicDuple Minor
The Prince of WestboroughPaula Kelley 2006Bare NecessitiesDuple Minor
The Princess 1701 ~ HumeHenry Playford 1701
Colin Hume 2009
Bare NecessitiesDuple Minor
The Prussian WaltzThomas Wilson 1816
Colin Hume 2023
Colin Hume3 Couple Longways permutation: 312

R

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
The Red Bull - Maggot PieMarjorie Heffer & William Porter 1932no musicSquare
Redwood RompGary Roodman 2008no musicDuple Minor
A Retiring FellowGary Roodman 1999MGM and Reunion4 Couple Longways permutation: 3142
Rosamond's PondThomas Bray 1699
Christine Helwig 1990 Playford Assembly
no musicDuple Minor
Ruffs and RheesIgnatius Sancho 1779
Garth Notley ~2015
no musicDuple Minor

S

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Salley's FancyJohn Young 1718
Andrew Shaw 2024
no musicDuple Minor
Sally's FancyJohn Young 1718
Andrew Shaw 2024
no musicDuple Minor
The SelkieJenna Simpson 2019no musicDuple Minor
Set For SpringJoseph Pimentel 2015GoldcrestDuple Minor
The ShepherdessJohn Playford 1651
Tom Cook Playford Assembly
no music4 Couple Longways permutation: 2413
Sir Nicholas CullyJohn Playford 1651
Scott Pfitzinger ~2019
no musicDuple Minor
The Soldier and the Sailor ~ Andrew ShawHenry Playford 1696
Andrew Shaw 2006
no musicDuple Minor
Soldier's Joy
Soldier's Joy ~ DupleAsa Willcox 1793
Kate van Winkle Keller & Ralph Sweet 1976
no musicDuple Minor
Soldier's Joy ~ WillcoxAsa Willcox 1793
Kate van Winkle Keller & Ralph Sweet 1976
no musicTriple Minor
SophiaJenna Simpson 2012no musicDuple Minor
The Spanish Flight - WrightJohn Young 1718
Andrew Shaw 2024
no musicDuple Minor
The SpanyardJohn Playford 1651
Scott Pfitzinger ~2019
no music4 Couple Longways
Sprigs of Laurel for Admiral NelsonPreston 1799
Anonymous ~2000
no musicDuple Minor
Sprigs of Laurel for Lord NelsonThompson + Preston ~1794
Anonymous ~2000
no musicDuple Minor
Spring in SebastopolPhilippe Callens 2004no musicDuple Minor
Summer CircleFried de Metz Herman 2000no musicBecket
A Sure ThingChris Page (date unknown)no musicDuple Minor
The Sutherland Reel ~ WilliamsThomas Wilson 1816
George Williams 2024
no musicTriple Minor
Sweet Potato PieSharon McKinley ~2014Odd Sundays Garage BandDuple Minor

T

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Tenth Anniversary IdyllVictor Skowronski 2010no musicDuple Minor
Three WeddingsColin Hume 2007Dampier's RoundDuple Minor
Thursday MixerFried de Metz Herman 1998no musicDuple Minor
Time for a Little SomethingFried de Metz Herman 2000no musicDuple Minor
Treasure of the Big WoodsJoseph Pimentel 2005GoldcrestDuple Minor
Trip to HobokenVictor Skowronski 2001no musicDuple Minor
Trip to KomodoGary Roodman 2020Anna Patton, Eric Martin, and Karen Axelrod4 Couple Longways permutation: 2413
Triple PlayGary Roodman 2020no musicTriple Minor
Tunbridge CastleThompson 1786
A. Simons ~1990
no music3 Couple Longways permutation: 231
Turn of the TideRon Coxall 1999Bare NecessitiesDuple Minor
The Twenty-Nineth of May
The Twenty-Nineth of May ~ HumeJohn Playford 1686
Colin Hume 1995
Colin HumeDuple Minor
The Twenty-Nineth of May ~ SharpJohn Playford 1686
Cecil Sharp 1911
Colin HumeDuple Minor
Two RiversJenny Beer 2019no music3 Couple Longways permutation: 231

V

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
ValenciennesPreston 1794
Pat Shaw ~1965
no musicTriple Minor
VenablesJoseph Pimentel 2018GoldcrestDuple Minor
A Very ShadowFried de Metz Herman 2002no musicDuple Minor
Vines EntwinedDan Blim 2024Frank HoppeDuple Minor

W

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Warden of the MarchesJenna Simpson 2010no musicDuple Minor
The Wedding NightJohn Playford 1651
John Playford 1994 Playford Ball
Bare NecessitiesFacing Couples
Wendel's WebFried de Metz Herman 2002no musicDuple Minor
What a Beau Your Granny WasLongman & Broderip 1790
George Williams 2023
no musicTriple Minor
Will o' the WispJenna Simpson 2020no musicDuple Minor
WinkRenée Camus 2022no musicDuple Minor
The WitchesJohn Playford 1675
Colin Hume 1995
no musicDuple Minor
The Wives' Victory
The Wives' Victory ~ HelwigThomas Bray 1699
Christine Helwig 1988
no musicDuple Minor
The Wives' Victory ~ P. ShawThomas Bray 1699
Pat Shaw 1962 Playford Assembly
no musicDuple Minor
Wonders are ManyFried de Metz Herman 2003no musicDuple Minor
Woo'd & Married & A'Thomas Wilson 1816no musicTriple Minor
The WoodshedLise Dyckman, Jim Saxe, Nancy Gaugh and Alan Winston 2012no musicDuple Minor

Y

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Yola's InvitationFried de Metz Herman 1978no musicFacing Couples
You'll Get There From HereFried de Metz Herman 2004no musicDuple Minor
Young Man's FancyMarjorie Heffer & William Porter 1932no musicSquare
A Young Virgin of 15 YearsJohn & William Neal 1726
Rich Jackson & George Fogg 1990
no musicDuple Minor
Number
of dances
Number
of versions
Number
with music
19420663

Warning: The set of figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.


Poussette

Also known as: Put Back, Draw.

Bars: 8 for a full, 4 for a half.

Poussette Half Poussette Poussette is a French term, originally meaning little push, and now meaning a baby stroller or perambulator.

Poussettes have a direction which may be specified in various ways as “clockwise”, or “1st corners push”, or “man 1 push, man 2 pull”. In a poussette you take hands with the person across the set (often your partner). Then one of you walks diagonally forward (1s down the set, 2s up) while the other backs up for 4 counts, then everything reverses and the one walking forward now backs up while the one backing up walks forward (but still moving the same way up or down). This is half a poussette.

In a full poussette you continue with the same circular motion until you end up exactly where you started.

Variants


Cooper's Rotational Poussette

Waltzing Turn Poussette

?Waltz Poussette

Old Scottish Poussette

(R)SCDS Poussette

(R)SCDS Strathspey Poussette

History

The poussette is an old country dance figure which acquired a French name in about 1770 when Cotillions came over from France. In Playford's day it seems to have been called "put-back" or, "draw" (depending on whether M1 was pushing, or pulling. Note: This is different from the modern "draw poussette", which Colin Hume suggests is a modern misunderstanding).

Playford's The 29th of May (1686) has a nice description of a(n English) poussette:

First cu. take hands, the 2. cu. doing the like at the same time; then the 1. man puts back his wo. and slips down behind the 2. wo. into the 2. cu. place, while the 2. man draws his wo. to him and slips into the 1. cu. place. Do this back again the same way;

While the even earlier Cuckolds all arow (1651) describes a half poussette:

Men put the co. we. back by both hands, fall even on the co. side
as does The Spanyard.

The Neals also give a fairly clear description from Dublin in 1726 in the dance A Young Virgin of 15 Years

1st & 2d men take both hands wth their partner's and back to back till in their own places:

The Regency Dance Site has a nice paper by Paul Cooper giving the history of the poussette in English dancing. Most English Country Dances use what Cooper calls a "Rotational Poussette", either going half way round in 4 bars to be progressive, or all the way round in 8 ending back where you started.

In William Campbell's 14th book (~1799) is a dance called Lord Nelson's Waltz. The instructions call for a "Poussette" to fill the last 16 bars (at waltz tempo). Both the Regency Dance site and Alan Winston say this should be a "Waltzing Turn Poussette". As yet I have found no contemporary description of this figure, and rely on Winston's description.

In Thomas Wilson's A Companion to the Ball Room, London, 1816 he introduces something called a "waltz whole poussette" for the dance L'Augustin Waltz on page 143. In a footnote he explains that he will bring out a book describing it. But if he did, I can't find a copy. As far as I know no one else in England ever bothered to define it, so we aren't sure what it entailed.

The National Library of Scotland has a manuscript (MS 3860), probably written between 1820 and 1830, which contains a description of what "Poussette" meant to them. Perhaps this is the Waltz Poussette? The dancers do not use ballroom position though. Dancers start near the center line (this isn't mentioned in the section on Poussette itself, but appears in the descriptions of the country dances later) and take both hands with partners and the couple moves in a large counter-clockwise circle around the other couple (as in a traditional poussette), but also the couple describes a clockwise epicycle about their center point. Each time the couple has moved 90° around the big circle, they have turned 180° around their epicycle. (Like a moon orbiting a planet orbiting a star).

The author describes, a half poussette (which is progressive, and takes 4 bars), a full poussette (which is not progressive, and takes 8 bars) and a double poussette where the center couple of a triple minor does a full poussette with the top couple and then another with the bottom couple (non progressive, 16 bars). He also goes on to explain what to do if one couple starts improper, saying they should end the figure proper. This explains a number of 19th century scottish dance descriptions where such behavior is needed.

This manuscript says in several places (here and here) that Sauteuse Waltzing steps should be used for the country dance poussette. I don't understand how one can use waltz steps in a reel or jig though. In very faint ink, on page 104 there is a description of these steps entailed.

I have looked though 11 dance manuals from the 19th and early 20th centuries from Scotland, Ireland, and the north of England. In them the poussette is almost always preceded by "down the middle, up again" so it can be hard to tell which of the two is progressive.

But we know that in MS 3860 "down the middle, up again" was progressive. In almost all the other books I looked at there are dances where "down the middle, up again" is used alone, and in these cases it needs to be progressive: (The Fairy Dance for instance). In almost all the books there are dances were there are non-progressive stand-alone poussettes (Captain White for instance). So it seems likely that in most cases, even around 1900, the 8 bar poussette was non-progressive.

In D. Anderson's Ball-Room and Solo Dance Guide (Dundee, 1897) there are 10 dances (out of 42 total dances with poussettes) where couples start the poussette improper and need to be proper at the end of it. These are also all non-progressive poussettes in 8 bars. The poussette described in MS 3860 has this property.

There are also a few dances which appear to use a progressive half poussette that fits into 4 bars. Oddly the instructions don't call it a half poussette, they just say "poussette". For instance in St. Patrick's Day:

Four hands across half round and poussette, back to places, the first couple down the middle and turn half round and up again, four hands round at top, then turn to proper sides.

Here the poussette must undo the effects of four hands across half, so it must be progressive, and return people to their proper sides. This all seems to fit the description of poussettes and half poussettes given in MS 3860.

But there are some counter-examples

The Waltz Country Dance also called The Spanish Dance, or The Guaracha, (or some combination) has a 16 (later 8) bar progressive poussette described in Lowe's Selection of Popular Country Dances (Edinburgh, 1853) as:

Then pousette, Waltzing round each other. (16 Bars)

As far as I can tell this version of the poussette is only used in this dance or slight variations of it. This may be the same as Campbell's "Waltzing Turn Poussette"? It seems odd that one needs to remind people to waltz in a waltz so that suggests to me that this dance is an aberration and normally the poussette took a different form.

Then around 1870 we start finding a few progressive 8 bar poussettes, as in The British Grenadiers.

Bars of Music
1.Gentlemen No. 1, 2, and 3 join hands and advance and retire,4
2.Ladies No. 1, 2, and 3 do likewise,4
3.The three couples promenade to places,8
4.Gentlemen No. 1 and 2, and ladies No. 1 and 2, give right hands across, back giving left,8
5.Pousette, (using Galop step, making a half turn with each,8

I can't help but wonder... given that St. Patrick's Day above uses "poussette" to describe a half poussette, if this might just be another half poussette masquerading as a full one. MS 3860 says to fill up unused music with setting (when describing an improper poussette), so perhaps that should be done here too.

This last line is frustrating, it is as if the author intended to describe a poussette, but broke off right after beginning. However it does sound rather like the description in MS 3860 where couples do a half turn about their own center as they turn 90° about the center of the minor set. Wallace published another book in ~1900 with the same words describing the poussette. So presumably he thought the poussette hadn't changed in the intervening 30 years.

Note that this description does not fit the (R)SCDS poussette which involves two quarter turns and a half turn, nor their diamond poussette.

Looking back from the 1964, the Fletts say:

The Pousette. This figure, which is performed by two couples starting from adjacent positions, is one of the principal figures used to achieve the progression down the set. It occurs only in dances in quick tempo and occupies eight bars of music.
In the form of the pousette used in Scotland within living memory, the two couples essentially just waltz round each other. The dancers take ordinary ballroom hold or some similar hold with their partners and use a simple waltz-type step, and the two couples move around each other in a counter-clockwise direction to exchange places, each couple at the same time rotating on its own axis in a clockwise direction, making two or more complete turns in the performance of the figure. The two men place their partners in position on the ladies' side, and fall back to their own side with one or two pas de Basque while their partners dance pas de Basque on the spot.
Usually the two couples just passed directly into each others place, as in Diagram 10.2, but sometimes they circled round each other one and a half times; in neither case were the turns made in a precise manner. The poussette is also sometimes performed with one of the two couples starting improper; here the relevant couple simply insert an extra half turn into the figure.
TOP 1 1 2 2 3 3
Diagram 10.2

This seems rather like what might happen to a figure which became sloppier over the years. Instead of the precise: "half turn about the small circle for every quarter turn about the big" it becomes "in neither case were the turns made in a precise manner". Then instead of the two hand hold we have a ballroom hold as that became more common. Note that this retains the ability to make a couple proper.

The Fletts say that poussettes only occurred in quick tempo dances, but we know they occurred in Waltz Country Dance, which was not quick tempo.

The difference I find most surprising is the change from non-progressive to progressive. It still looks to me as if, even in the books written in ~1900, most of the poussettes were non-progressive. Of course, it might be that the dancing masters in the cities were more conservative, and their books reflect what they wanted their students to do, rather than what rural dancers were actually doing.

In the US, in 1802, Saltator wrote:

POUCETTE, is to give both hands to partners, by couples and dance round each other, in the time of right and left.

Asa Wilcox was using poussettes in ~1793:

Colledge Hornpipe
Four hand cross roud back again first & third Couple Draw cross over one Couple - Right & left at top -

As was Saltator in 1802 (see Lasses of Glasgow).

But after that Poussettes died out in the United States, and Howe (who published from 1858-1880 in Boston) did not used them.

References

See Also

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