Table of Contents
C
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Captain Cook's Country Dance |  | Corri, Dussek, & Co. 1797
|  | Duple Minor |
J
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Jackey Tarr | | Thomas Wilson 1816
| Colin Hume | 3 Couple Longways permutation: 231 |
L
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Lord Nelson's Waltz | | William Campbell ~1799 Regency Dances 
| | Duple Minor |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 3 | 3 | 1 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
Linked-Arm Allemande
Also known as: Turn in Tullock Hold, Turn in Hullachan Hold.
Bars: 4.
In this style of Allemande, partners stand right shoulder to right, facing in opposite directions, they interlace their right arms, and put their left hands behind their backs, taking their partner's right hand in their left, and so linked turn around in a small circle.
History
The Regency Dance Site has a nice paper giving the history of the allemande in English dancing.
Nicholas Dukes does not define allemande in his book of Country Dance figures, published 1752.
The earliest use of "Allemande" (in English) which I have found is in Marli Water Works by Matthew Welch in perhaps ~1767 (though this date is debatable), and Pat Shaw interpreted it as a linked arm allemande.
In the US, Saltator, 1802 gives a clear description:
ALLEMANDE, is to put one hand behind and reach the other out side-ways, turning both palms backwards matching another person's presented in like manor, and the arms interweaving with them.
(And he goes on to use it in the dance Constancy).
According to the Fletts' Traditional Dancing in Scotland (page 148) The Reel of Tulloch (and hence Tullock Hold) was current subsequent to about 1880. Given the lack of an Allemande tradition in Scotland, it seems more likely that this way of turning evolved independently rather than being a copy of the linked arm allemande from a hundred years before.
See Also
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My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.