

| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| All the way to Beckenham | ![]() | Colin Hume 1980 | Kafoozalum | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Bonny Breast Knot | ![]() | English Traditional (date unknown) Maud Karpeles & Cecil Sharp ~1930 | ![]() | 3 Couple Longways permutation: 231 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Castner's Contra | ![]() | Rich Gardner ~1983 | ![]() | Triple Minor |
| Chorus Jig (duple) | ![]() | Saltator 1802 Cracking Chestnuts | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Dusty Miller - Weeks | ![]() | Clement Weeks 1783 Kate van Winkle Keller & Ralph Sweet 1976 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Gigue for Genny | ![]() | Dan Herr 1975 | Bare Necessities | 3 Couple Longways permutation: 231 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Huntsmen's Chorus
| ||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Iantha the Lovely | ![]() | Walsh 1718 Fried de Metz Herman 1995 | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Jamie Allen
| ||||||||||||||
Jimmy Allen
| ||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Kernan's Contra | ![]() | Ken Kernan 1977 Al Olson ~1983 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Labor of Love | ![]() | Kathy Anderson (date unknown) | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Microcasmic | ![]() | Ann Fallon (date unknown) | ![]() | 3 Couple Longways permutation: 231 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Rory O'More ~ Contra | ![]() | Elias Howe 1858 Cracking Chestnuts | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Sackett's Harbor | ![]() | Elias Howe 1858 Ralph Page ~1984 Cracking Chestnuts | ![]() | Triple Minor |
| Speed the Cable | ![]() | Elias Howe 1858 Ralph Page ~1984 Cracking Chestnuts | ![]() | Triple Minor |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 13 | 14 | 2 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
Also known as: Swing Corners (Wilson).
Bars: 8.
In this version of the figure you pull-by right with your partner, turn your 1st corner left, pull-by right with partner, turn you second corner left.
In a modern contra dance this can be unexpected because one of your corners will be outside your minor set.
Early examples of this figure are not very explicit, and it is not always clear which hand you use to turn whom, thus in modern dancing styles we have two different versions of what is basically the same figure.
In US Contra Dancing you turn your partner right, your 1st corner left, your partner right again, and your second corner left. The first description I can find that explicitly says to do this is in Thomas Wilson's An Analysis of Country Dancing from 1808.
Most other styles have settled on: turn your first corner right, partner left, 2nd corner right, partner left.
By 1918 Burchenal's version of Chorus Jig has squashed the original triple minor into a duple minor, meaning that all corners are always active.
This website is copyright © 2021-2026 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.