

| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Arkansas Traveller | ![]() | Elias Howe 1858 George Williams 2022 | Colin Hume | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Banks of the Dee | ![]() | Ralph Page 1949 Rickey Holden 1956 | ![]() | Duple Minor |
| Barry's Best | ![]() | Al Brundage 1952 | ![]() | Triple Minor |
| Beaux of Oak Hill ~ Howe | ![]() | Elias Howe 1862 | ![]() | Triple Minor |
| British Sorrow | ![]() | Saltator 1807 Ralph Page ~1950 Cracking Chestnuts | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Careless Sally
| |||||||||||||||||||
| Chase the Squirrel | ![]() | Elias Howe 1858 | Bare Necessities | Duple Minor | |||||||||||||||
| Christmas Hornpipe | ![]() | Elias Howe 1862 Cracking Chestnuts | ![]() | Duple Minor | |||||||||||||||
| Circassian Circle ~ Burchenal | ![]() | G.M.S. Chivers 1822 Elizabeth Burchenal 1918 | Colin Hume | Duple Minor | |||||||||||||||
| Crestwood Reel | ![]() | Midwest Dancer 1953 | ![]() | Triple Minor | |||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Dashing White Sergeant - Howe | ![]() | Elias Howe 1862 Rickey Holden 1953 | ![]() | Duple Minor |
| The Devil's Dream - Burchenal | ![]() | Elias Howe 1858 Elizabeth Burchenal 1918 | ![]() | Duple Minor |
| Durang's Hornpipe | ![]() | Thomas Hillgrove 1857 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| French Four ~ Howe | ![]() | Elias Howe 1858 George Williams 2021 | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Genet's Recall
| ||||||||||||||
| Good Girl | ![]() | John Schell 1890 Rickey Holden 1956 | ![]() | Duple Minor | ||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Half Moon | ![]() | Elias Howe 1858 | ![]() | Triple Minor | ||||||||||
Hull's Victory
| ||||||||||||||
| Hunt the Squirrel - Howe | ![]() | Elias Howe 1858 | Bare Necessities | Duple Minor | ||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
The Triumph
| ||||||||||||||
Lamplighter's Hornpipe
| ||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
The Merry Haymakers
| ||||||||||||||
Money Musk
| ||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| New Century Hornpipe | ![]() | Saltator 1802 Smukler & Millstone ~2008 Cracking Chestnuts | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Old Zip Coon | ![]() | Elias Howe 1858 Smukler & Millstone ~2008 Cracking Chestnuts | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Petronella
| ||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Queen Victoria | ![]() | Traditional ~1870 Ralph Page ~1950 Cracking Chestnuts | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Sicilian Circle ~ Burchenal | ![]() | G.M.S. Chivers 1822 Elizabeth Burchenal 1918 | Colin Hume | Duple Minor |
| Speed the Plough ~ Chestnuts | ![]() | Elias Howe 1858 Smukler & Millstone ~2008 Cracking Chestnuts | ![]() | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | |||||
|---|---|---|---|---|---|---|---|---|---|
The Triumph
| |||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Waterman | ![]() | Thomas Hillgrove 1857 | ![]() | Triple Minor |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 27 | 34 | 5 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
An online definition may be found here.
Bars: 8.
Right and left 4 is a figure for two couples, usually from a proper formation. Pass through by the right, taking right hands and dropping them. Then standing next to the same person you were next to originally (but on the other side of the set), the person on the left walks backward while the person on the right forward and you wheel around to face in. It's like a right and left through but without taking hands in the courtesy turn.
Then you repeat the above to return home.
Elias Howe in the 1850s+60s uses the term "Right and Left 4" and "Right and Left" interchangeably, but he defines neither, and I suspect he probably has the traditional definition of Right and Left in mind.
Elizabeth Burchenal, in American Country Dances defines right and left as:
Right and Left
This is executed either by two opposite couples (as in The Circle), or by two women with two opposite men (as in Hull's Victory, Old Zip Coon, etc. It consists of two dancers' exchanging places with the opposite dancers in the following manner:The two couples advance toward each other, and "pass through," the one on the right in each couple going between the opposite two (Diagram 9.)Then, keeping side by side as if their inside hands were joined, each couple continue to the opposite side, wheeling half around (to do this, the one on the left makes a left-about-face and walks backward, keeping the right shoulder toward the other's left shoulder), thus finishing on the opposite side with the right one still on the right and the left one still on the left. (Diagram 10.) All this is done in eight steps (4 measures).The then return in the same manner to their original position (4 measures).
In 1956 Rickey Holden says much the same thing on page 44 of his The Contra Dance Book.
Finally Smukler & Millstone define it on page 14 of Cracking Chestnuts, 2008. But they were reviving old traditions, not specifying current behavior.
This website is copyright © 2021-2026 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.