

| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| 1314 | ![]() | John Drewry 1967 | ![]() | Square |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Dancing Master | ![]() | John Drewry 1989 | ![]() | J4×96 Square |
| A Driving Reel | ![]() | Lizzie Wratten ~2025 | ![]() | 3 Couple Circle permutation: 231 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The House Keys of Lisbon | ![]() | Murrough Landon 2020 | ![]() | 3 Couple Circle permutation: 312 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Loudly Good Spring | ![]() | George Williams 2024 | Masquerade | Custom permutation: 615324 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Marietta Square Reel | ![]() | Hidemi Graves 2025 | ![]() | Square permutation: 4123 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Portincaple Oak | ![]() | Anne Thorn 2011 | ![]() | Square |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Run for the Roses | ![]() | Sarah Craighead ~2026 | ![]() | Square permutation: 4123 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Schiehallion | ![]() | Hugh A Thurston 1971 | ![]() | Square |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Tea Pottery | ![]() | Duncan Brown ~2020 | ![]() | Square |
| Through the Looking Glass | ![]() | Chris Sackett/Brooke Friendly 2006 | ![]() | Square |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Vernal Equinox | ![]() | George Williams 2024 | Masquerade | Custom permutation: 615324 |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 11 | 11 | 1 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
An online definition may be found here.
Bars: 16.
A Schiehallion Reel starts in a square formation with the women facing out. All couples do the same thing. In the first two bars the men move in toward the center and then out to the place where the woman to their right started, giving left shoulder to the man on their right. The women loop outside of the set and come in where their partner used to be.
In this figure the men follow the woman who starts to their right, while the women follow their partners. After every two bars each dancer should be where the person they are following was at the start of those two bars.
In bars 2-4 the men now loop outside the set, while the women move toward the center and then out to where their partner was.
After 4 bars all dancers in the set will have rotated 90 degrees counter-clockwise.
This process continues, after 8 bars they are diametrically opposite where they started, and after 16 bars they are back home.
The Scottish Country Dance Database has a long note about the dance Schiehallion, saying that a version of the dance was originally devised in the 1950s, containing the epynomous reel, but the dance itself was much changed in the final version published in 1971.
They also note that although Thurston thought the figure original, it is very similar to an Axum reel.
While they may be topologically equivalent they look quite different to me.
This website is copyright © 2021-2026 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.