Baldovan Reel | ![]() | Douglas Henderson 1960 | ![]() | R4×32 4C permutation: 2341 |
Bonnie Gallowa' | ![]() | Bill Little 1997 | ![]() | S4×40 4C permutation: 2341 |
Chased Lovers | ![]() | Tim Wilson 2015 | ![]() | J8×32 3C/4C |
City of Stirling Reel | ![]() | Roy Goldring 2005 | ![]() | R8×32 3C/4C |
Elspeth Gray's Reel | ![]() | Tom Toriyama 2019 | ![]() | R8×32 3C/4C |
The Falkirk Lass | ![]() | Elaine Brunken 2002 | ![]() | S8×32 3C/4C |
The Galloping Carousel | ![]() | John de Chastelain 1991 | ![]() | J4×32 4C permutation: 2413 |
Inchmickery | ![]() | Roy Goldring 2000 | ![]() | J5×32 5C permutation: 23451 |
Jennifer's Jig | ![]() | John Drewry 1968 | ![]() | J8×32 3C/4C |
The Lochalsh Reel | ![]() | Pat Burnett 2001 | ![]() | R8×40 3C/4C |
The Luckenbooth Brooch | ![]() | John Bowie Dickson 1968 | ![]() | J8×32 3C/4C |
The Meeting of the Waters | ![]() | Iain Boyd 1969 | ![]() | R8×48 3C/4C |
Niles Roberts' Farewell to Pasadena | ![]() | Doug MacDonald 1991 | ![]() | J8×32 3C/4C |
Nottingham Lace | ![]() | Jenny Bradley 2011 | ![]() | R96 Square |
The Orchards of County Armagh | ![]() | Jinty Anderson 2016 | ![]() | S3×32 3C permutation: 312 |
Pinewoods Reel | ![]() | John Bowie Dickson 1970 | ![]() | R8×32 3C/4C |
Portincaple Oak | ![]() | Anne Thorn 2011 | ![]() | (M-(S32+R32)) Square |
Schiehallion | ![]() | Hugh A Thurston 1971 | ![]() | (M-(S64+R64)) Square |
Seton's Ceilidh Band | ![]() | Bruce Fordyce 1961 | ![]() | J4×64 4C permutation: 2341 |
Toast to the Mousies | ![]() | Sara Gratiot 2016 | ![]() | R8×32 3C/4C |
The Water of Leith | ![]() | John Wilkinson 2014 | ![]() | S4×32 4C permutation: 2413 |
The Willbergs of Rechberg | ![]() | Carola Fischer 1988 | ![]() | S4×40 4C permutation: 4123 |
Ysobel | ![]() | John Drewry 1973 | ![]() | S8×32 3C/4C |
Number of dances | Number of interpretations | Number with music |
---|---|---|
23 | 23 | 0 |
This website is copyright © 2021-2025 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.