

None of the dances published by the RSCDS before book 13 were devised by the RSCDS, instead they were considered "traditional" dances. Many dances published in subsequent books fall into that category as well. I have tried to track down the sources of these dances and display here the earliest published versions of the dance's figure which I've been able to find.
In some cases the RSCDS mentions a source. Often I have found earlier examples of the dance. Sometimes I have been unable to find the RSCDS source and will present the earliest source I have found.
When I know the deviser, I mark the name in italics. In most cases for these old dances I only know the publisher.
When a dance source is marked with "†" it means I have been unable to verify the source of the dance, when it is marked with "‡" it means I have been unable to find any Scottish dance manual containing this dance (prior to 1924).
Hovering the mouse over a dance's devisor/publisher will (often) produce a popup containing the text of the original.By default the list below shows only traditional dances interpreted by the (R)SCDS. I believe that Book 34 (1986) was the last book to contain any traditional dances. Before Book 13 all (R)SCDS dances were traditional, but Book 13 contains The Reel of the 51st Division, the first published modern dance. No further modern dances were published until Book 22 (1963), and after that some books contained modern and some traditional dances until Books 31&34, which contains both.
At the end I have several tables of statistics.
Order by:
Include:
(R)SCDS Book Range:
Containing figure:
| Bonnie Lass ~ RSCDS | John Young (Playford family), [Unknown City], 1710 The Dancing Master, Vol. the Second John Young calls the dance The Bonny Lass and writes:
The original music is in cut time and consists of an 8 bar strain and a 16 bar strain, intended to be played AAB. | |
| Pretty Polly ~ RSCDS | John Young (Playford family), [Unknown City], 1710 The Dancing Master, Vol. the Second John Young calls the dance Pretty Poll and writes:
The original music is in 3/2 time and consists of a 5 bar strain and an 8 bar strain, intended to be played AABA. | |
| A Trip O'er the Tweed | John Young (Playford family), [Unknown City], 1710 The Dancing Master, Vol. the Second John Young writes:
The Tweed is a river on the border between Scotland and England, flowing into the North Sea. The original is a 24 bar dance with 3 counts per bar; it has been adapted to a 48 bar jig. |
| The Highland Lass ~ RSCDS | John Young (Playford family), [Unknown City], 1718 The Dancing Master, Vol. the Second, 3rd ed. John Young (of the Playford family) published two figures to this tune and with this name. The first was published in 1710, and the second in 1718. The RSCDS claims to be interpreting the second figure. John Young writes:
The music is in 3/2 time and consists of a 4 bar strain and an 8 bar strain, both repeated. |
| [Unknown] | 4 |
| 1700-1749 | 4 |
| John Young (Playford family) | 4 |
| John Young (Playford family) | The Dancing Master, Vol. the Second, 1710 |
| " | The Dancing Master, Vol. the Second, 3rd ed., 1718 |
Scans of old dance manuals are scattered about the internet. The Vaughan Williams Memorial Library, International Music Score Library Project, Scott Pfitzinger's Playford site, Richard Powers' website, Library of Congress, and The Library of Dance all provide primary sources. A number of other sites provide indeces of these sources: The Regency Dance site, The Library of Dance again, and my own site have all proven useful for finding old sources. Finally there is Robert Keller's index which does not provide sources directly but lists thousands of dances, the publications containing them, dates and a brief coded description of the figures. This last has proven invaluable for tracking down dances for which I had no complete sources.
And, of course, both the Scottish Country Dance Database and the Scottish Country Dancing Dictionary provide online descriptions of all the RSCDS books and often hint at early sources.
This website is copyright © 2021-2025 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.