

None of the dances published by the RSCDS before book 13 were devised by the RSCDS, instead they were considered "traditional" dances. Many dances published in subsequent books fall into that category as well. I have tried to track down the sources of these dances and display here the earliest published versions of the dance's figure which I've been able to find.
In some cases the RSCDS mentions a source. Often I have found earlier examples of the dance. Sometimes I have been unable to find the RSCDS source and will present the earliest source I have found.
When I know the deviser, I mark the name in italics. In most cases for these old dances I only know the publisher.
When a dance source is marked with "†" it means I have been unable to verify the source of the dance, when it is marked with "‡" it means I have been unable to find any Scottish dance manual containing this dance (prior to 1924).
Hovering the mouse over a dance's devisor/publisher will (often) produce a popup containing the text of the original.By default the list below shows only traditional dances interpreted by the (R)SCDS. I believe that Book 34 (1986) was the last book to contain any traditional dances. Before Book 13 all (R)SCDS dances were traditional, but Book 13 contains The Reel of the 51st Division, the first published modern dance. No further modern dances were published until Book 22 (1963), and after that some books contained modern and some traditional dances until Books 31&34, which contains both.
At the end I have several tables of statistics.
Order by:
Include:
(R)SCDS Book Range:
Containing figure:
| The Triumph ~ RSCDS | Preston, London, 1793 Preston's Twenty four Country Dances for the Year 1793 RSCDS Book1 attributes this dance to J. P. Boulogne's The Ball-Room, 1827, but it has earlier roots. Preston published a version in 1793, and Thompson published something rather different in 1790 named La Triomphe. Preston's version has three lead up abreast, but has not yet developed the triumphal arch over the woman. The 1st. Lady set to the 2d. Gentn. & turn The 1st. Gentn. set to the 2d. Lady & turn The 1st. Lady take the 2d. Gentn. by the right hand & lead him down to the 3d. Cus. place · The 1st. Gentn. cast off & his Partr. all 3 lead up to the top together ·· the 1st. Cu lead down the middle up again & cast off ··
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| Monymusk | Preston, London, 1786 Twenty four Country-Dances for the Year 1786 Monymusk is an estate in Aberdeenshire is Scotland. Cracking Chestnuts says the tune was written by Daniel Dow and published in Thirty Seven New Reels and Strathspeys in 1776. Francis Werner set figures to the tune in his 8 Cotillions, 6 Favorite Contry Dances and two Minuets, with their proper Figures for the Harp, Harpsichord and Violin Book xvii for the year 1785. John Preston in 1786 published a different set of figures in 1786 and this version of the dance appears to be based on those. Hugh Thurston in Scotland's Dances (1954) claims: "'Monymusk' is not a traditional Scottish dance. It was resurrected in 1934 (out of a book published in England in 1786) and there is no evidence that it was ever danced in Scotland before that date." (as quoted in Cracking Chestnuts) Werner Book XVIII For the Year 1785 (London, 1785) writes: Turn your partner with the right hand; quite round, and cast off one Cu. Turn with the left quite round, Set three and three top and bottom, and turn your Partner, Set three and three sideways and turn your Partner. Hands six quite round and back again Lead out sides and turn your Partner with both hands. John Griffiths in The Gentleman & Lady's Companion (Norwich, CT, 1798) has a different figure: Six hands half way round and back, first and second gentlemen balance together and turn round, the 1st and 2nd ladies do the same, down the middle, up again, cast off, right and left In A Treatise on Dancing (Boston, 1802) Saltator writes: First couple cross over, down the out side, promenade round the gentleman, fall between the second couple, the lady between the third, six dance address, first couple promenade and fall below the second, six demicircinate, right and left atop. Wilson Treasures of Terpsichore, page 80 (London, 1809)
Howe Complete Ball-room Hand Book, page 82 (Boston, 1858) First couple join right hands and swing once and a half round, go below second couple (the first lady goes below second gentleman on the outside) (first gentleman at the same time goes below and between second and third ladies) — forward and back six, first couple swing three quarters round — first gentleman goes between second couple (on the inside) first lady goes between third couple (on the indside) forward and back six, first couple swing three quarters. Burchenal American Country-dances, page 55 (New York/Boston, 1912) Swing Once and a Half Around |
| Duchess of York | Preston, London, 1797†‡ Preston's New Country Dances |
| The Countess of Sutherland's Reel | Preston, London, 1797‡ Preston's Twenty four Country Dances for the Year 1797 |
| London | 4 |
| 1750-1799 | 4 |
| Preston | 4 |
| Preston | Twenty four Country-Dances for the Year 1786, London, 1786. Robert Keller's site says this may be found in the British Library |
| " | Preston's Twenty four Country Dances for the Year 1793, London, 1793. Found in the Vaughan Williams Memorial Library (EFDSS, Cecil Sharp House). |
| " | Preston's New Country Dances, London, 1797. I don't know where to find it. |
| " | Preston's Twenty four Country Dances for the Year 1797, London, 1797. Found in the European Register of Microform and Digital Masters in Germany. |
Scans of old dance manuals are scattered about the internet. The Vaughan Williams Memorial Library, International Music Score Library Project, Scott Pfitzinger's Playford site, Richard Powers' website, Library of Congress, and The Library of Dance all provide primary sources. A number of other sites provide indeces of these sources: The Regency Dance site, The Library of Dance again, and my own site have all proven useful for finding old sources. Finally there is Robert Keller's index which does not provide sources directly but lists thousands of dances, the publications containing them, dates and a brief coded description of the figures. This last has proven invaluable for tracking down dances for which I had no complete sources.
And, of course, both the Scottish Country Dance Database and the Scottish Country Dancing Dictionary provide online descriptions of all the RSCDS books and often hint at early sources.
This website is copyright © 2021-2026 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.