

None of the dances published by the RSCDS before book 13 were devised by the RSCDS, instead they were considered "traditional" dances. Many dances published in subsequent books fall into that category as well. I have tried to track down the sources of these dances and display here the earliest published versions of the dance's figure which I've been able to find.
In some cases the RSCDS mentions a source. Often I have found earlier examples of the dance. Sometimes I have been unable to find the RSCDS source and will present the earliest source I have found.
When I know the deviser, I mark the name in italics. In most cases for these old dances I only know the publisher.
When a dance source is marked with "†" it means I have been unable to verify the source of the dance, when it is marked with "‡" it means I have been unable to find any Scottish dance manual containing this dance (prior to 1924).
Hovering the mouse over a dance's devisor/publisher will (often) produce a popup containing the text of the original.By default the list below shows only traditional dances interpreted by the (R)SCDS. I believe that Book 34 (1986) was the last book to contain any traditional dances. Before Book 13 all (R)SCDS dances were traditional, but Book 13 contains The Reel of the 51st Division, the first published modern dance. No further modern dances were published until Book 22 (1963), and after that some books contained modern and some traditional dances until Books 31&34, which contains both.
At the end I have several tables of statistics.
Order by:
Include:
(R)SCDS Book Range:
Containing figure:
| Cadgers in the Canongate ~ RSCDS | Walsh, London, 1760 Country Dances Selected, Part 1 RSCDS Book 9 says that Walsh published this in Caledonian Country Dances, ~1748, but the earliest I have been able to find is ~1760. Walsh writes: First Cu. hey contrary sides then on your own sides the 1st Cu. foot it to the 2d Wo. and turn her the same to the 2d Man the 1st and 2d Cu. foot it and Right hands across Foot it and Left hands across back again cross over one Cu. and turn Right and Left at top Walsh spells "Canongate" as "Conongate". Cannongate is a major street in historic Edinburgh (gate=street), and a "cadger" is a carter who brings produce to market. |
| Donald Bane ~ RSCDS | Thomas Wilson, London, 1816‡ A Companion to the Ball Room Donald Bane is an anglicization of Domnall Bán (Donald the Fair) and was the great-grandson of the king killed by MacBeth. Wilson writes (on page 80): SINGLE FIGURE Each strain repeated Wilson usually gives multiple figures for a tune, this is an attempt to understand the double figure he describes. The music consists of two 4 bar strains. Wilson's usual statement for double figures (which he gives on the dance above this) is Tune played twice through with repeats. So the music should probably be played AABBAABB. Wilson spells the dance "Donaldbane". Wilson defines most of his figures in his An Analysis of Country Dancing. It is not obvious to me where in this sequence Wilson expects progression to happen. Perhaps the first movement of set contrary corners has the 1s moving down and the 2s up. |
| Minard Castle | W H Gilroy, East Lothian, 1963 RSCDS Book 22 |
| The Glens of Angus | Douglas Henderson, Dundee, ~1967 RSCDS Book 23 | |
| Mrs. Hamilton of Wishaw - Drewry | John Drewry, Aberdeen, 1967 RSCDS Book 23 |
| Oh Whistle and I'll Come Tae Ye, My Lad | Anonymous, date unknown† Book 24 has the comment: "Collected by Miss Jenny MacLaghlan." Bourne, ~1820 in Admired Cottillions for Balls and Private Parties, 4th Sett (New York) published a dance with this name, but a different figure. |
| Peggy's Strathspey | Eric Finley, [Unknown City], ~1998 RSCDS Book 41 |
| Farewell to Balfour Road | Andrew Buxton, [Unknown City], 2018 RSCDS Book 52 | |
| The Ullapool Ferry | Pat Houghton, [Unknown City], 2015 RSCDS Book 52 |
| Jennifer's Jig | John Drewry, Aberdeen, 1968 RSCDS Book 53 |
| Kinclaven Bridge | Douglas Henderson, Dundee, ~1960 RSCDS Book 54 | |
| Mark and Susie's Jig | George T Watt, [Unknown City], ~2025 RSCDS Book 54 | |
| Miss Lucy Clark | Valerie Farr, [Unknown City], ~2025 RSCDS Book 54 |
| [Unknown] | 6 |
| Aberdeen | 2 |
| Dundee | 2 |
| London | 2 |
| East Lothian | 1 |
| Unknown | 1 |
| 1750-1799 | 1 |
| 1800-1849 | 1 |
| 1950-1999 | 6 |
| 2000-2049 | 4 |
| Douglas Henderson | 2 |
| John Drewry | 2 |
| Andrew Buxton | 1 |
| Anonymous | 1 |
| Eric Finley | 1 |
| George T Watt | 1 |
| Pat Houghton | 1 |
| Thomas Wilson | 1 |
| Valerie Farr | 1 |
| W H Gilroy | 1 |
| Walsh | 1 |
| Walsh | Country Dances Selected, Part 1, London, 1760. I don't know where to find it. |
| Thomas Wilson | A Companion to the Ball Room, London, 1816. Robert Keller's site says this may be found in the British Library |
Scans of old dance manuals are scattered about the internet. The Vaughan Williams Memorial Library, International Music Score Library Project, Scott Pfitzinger's Playford site, Richard Powers' website, Library of Congress, and The Library of Dance all provide primary sources. A number of other sites provide indeces of these sources: The Regency Dance site, The Library of Dance again, and my own site have all proven useful for finding old sources. Finally there is Robert Keller's index which does not provide sources directly but lists thousands of dances, the publications containing them, dates and a brief coded description of the figures. This last has proven invaluable for tracking down dances for which I had no complete sources.
And, of course, both the Scottish Country Dance Database and the Scottish Country Dancing Dictionary provide online descriptions of all the RSCDS books and often hint at early sources.
This website is copyright © 2021-2026 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.