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Up a double, Siding, Arming
Country Dances, Ancient and Modern

Table of Contents

A B C F H J L M P S T

A

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Autumn in AmherstPhilippe Callens 2003Bare NecessitiesDuple Minor

B

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
The Beaus of the ParkJohnson ~1733
Bernard Bentley 1971
Colin Hume3 Couple Longways permutation: 231

C

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
ChoreograffitiRenée Camus 2026Choreograffiti
Audrey Jaber, Shira Kammen, Chip Prince, Christopher Jacoby, and Jim Oakden
Duple Minor
Crosbey Square
Crosbey Square ~ HumeHenry Playford 1701
Colin Hume 2025
Colin HumeDuple Minor
Crosbey Square ~ SharpHenry Playford 1701
Cecil Sharp 1922
Colin HumeDuple Minor

F

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Freers' FortificationHilary Herbert 2014Dave Bartley, Ruthie Dornfeld and Terry Wergeland4 Couple Longways permutation: 3142

H

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
A Health to all Honest Men ~ HermanWalsh 1718
Fried de Metz Herman ~1989
Colin HumeDuple Minor

J

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
John the Mad Man ~ BentleyJohn Young 1726
Bernard Bentley 1965
Colin HumeDuple Minor

L

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
LongevityOrly Krasner 2000Bare NecessitiesDuple Minor

M

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Marli Water WorksMatthew Welch 1767
Pat Shaw 1963
Colin Hume3 Couple Longways permutation: 231

P

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
The Play's the ThingBrooke Friendly/Chris Sackett 2007Bare NecessitiesDuple Minor
The Prince of WestboroughPaula Kelley 2006Bare NecessitiesDuple Minor

S

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Safe HavenOrly Krasner 2002Bare NecessitiesDuple Minor

T

Dance TitleTypeDeviser (or Editor/Publisher), Date,
Interpreter
Music
Performers
Formation
Terpsícourante ~ AlternateGary Roodman 2011MGM and Reunion4 Couple Longways
Number
of dances
Number
of versions
Number
with music
131414

Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.


Draw Poussette

Bars: 8 for a full, 4 for a half.

Half Draw Poussette The draw poussette is similar to a normal poussette except that the couple turns through 180° so that the person who was pushing continues to push the entire time. This means that the person who was on the men’s line ends on the women’s line and vice versa.

History

Colin Hume suggests (and I agree with him) that this is a modern misunderstanding.

Cecil Sharp, in his interpretation of Jog On, My Honey describes the motions of a draw poussette (but doesn't not name it), but Playford's original seems to me to describe a normal poussette.

In 1922, Sharp's interpretation of Crosbey-Square again describes a draw poussette, but doesn't name it.

The next use of a draw poussette occurs in 1962 in Pat Shaw's interpretation of Thomas Wilson's Captain MacIntosh (on page 113), and Shaw appears to be the first to name the figure. Wilson defines his figures in The Complete System of English Country Dancing, and calls his poussette a "Half pousette or draw" so that may explain where Shaw got the name. Wilson's figure and instructions are not the clearest, but as his "Whole Pousette" is progressive it can't leave couples improper, so it can't be what we now call a draw poussette.

See Also

This website is copyright © 2021-2026 by George W. Williams V
Creative Commons License My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.