

| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Act with Agility | ![]() | Brooke Friendly/Chris Sackett 2018 | ![]() | Duple Minor | ||||||||||
| Alan J. Smith | ![]() | Andrew Smith 2005 | ![]() | Triple Minor | ||||||||||
Antic Hay
| ||||||||||||||
| Atlanta Traffic | ![]() | Rebecca Fant 2025 | ![]() | Triple Minor | ||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Baldovan Reel | ![]() | Douglas Henderson ~1960 | ![]() | 4 Couple Longways permutation: 2341 |
| Beth Wilson's Delight | ![]() | John W. Mitchell ~1977 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | |||||
|---|---|---|---|---|---|---|---|---|---|
The Carl cam' ower the Croft
| |||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Do Birds Fly? | ![]() | Deanna St. Amand 1999 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Horticulturist | ![]() | Lewis Tumlin 2025 | ![]() | Triple Minor |
| The Hunting Horn | ![]() | Peter McBryde 1975 | ![]() | J8×32 3C/4C |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Lady Baird's Reel | ![]() | Thomas Wilson 1816 RSCDS 1955 | ![]() | Triple Minor |
| Lady Dumfries | ![]() | Anonymous (date unknown) RSCDS ~1977 | ![]() | Triple Minor |
| Lord Rosslyn's Fancy | ![]() | Thomas Wilson 1815 RSCDS 1949 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Mathematicians | ![]() | Alex Gray 1996 | ![]() | 4 Couple Longways |
| Merry Mayhem | ![]() | Kim Horne 2019 | ![]() | Triple Minor |
| My Mother's Coming In | ![]() | Thomas Wilson ~1814 RSCDS 1949 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Pinewoods Reel | ![]() | John Bowie Dickson 1970 | ![]() | Triple Minor |
| Preston Mill | ![]() | Margaret Martin 2002 | ![]() | 5 Couple Longways permutation: 24153 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Rakish Highlandman ~ RSCDS | ![]() | Thomas Wilson 1816 RSCDS 1957 | ![]() | Triple Minor |
| The Reel of the Royal Scots | ![]() | Roy Goldring 1983 | ![]() | Triple Minor |
| Reel Parenting | ![]() | Laura Husman 2015 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Saint Andrew's Day ~ RSCDS | ![]() | Anonymous (date unknown) RSCDS 1968 | ![]() | Triple Minor |
| The Sutherland Reel ~ RSCDS | ![]() | Thomas Wilson 1816 RSCDS 1979 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Trip to Timber Ridge | ![]() | Linda Henderson 2012 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| V (Vee) | ![]() | Brooke Friendly/Chris Sackett 2014 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| We've Nae Electric | ![]() | Gary Coull 2004 | ![]() | R5×32 5C permutation: 24153 |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 26 | 27 | 0 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
An online definition may be found here.
Bars: 8.
The active couple starts back to back in 2nd place, facing out, they take hands with their corners (who may need to dance in slightly to do so) and set for two bars. Then all drop hands. The corners continue to set, as the actives pas-de-basque around each other clockwise (always back to back with partner) until they are facing out the other side. The actives take hands with new corners, and all set for two bars. Again the corners continue to set, while the actives pas-de-basque back to their starting positions (usually facing in now).
Miss Milligan found the term "Double Triangle" in Wilson's dances, but (according to Murrough Landon, personal communication) she had not found any of the books where he defined what his terms meant (Double Triangle is defined in his An Analysis of Country Dancing, 3rd ed. 1811 on page 113). So she appears to have guessed.
The first dance she interpreted that contained this figure was There's Nae Luck Aboot the Hoose (Wilson spelled it There's Nae Luck About the House) published in (R)SCDS Book 10, published 1935. In it she replaces Wilson's figure with finishing reels, which is reasonably close to the original and gets the corners involved too.
She next approached the figure in (R)SCDS Book 15, published in 1949. Three dances in this book use the figure (Lord Rosslyn's Fancy, My Mother's Coming In, and Waverley), and for these she invented the modern figure.
After that she consistently used the modern figure.
This website is copyright © 2021-2026 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.