

| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Bees of Maggieknockater | ![]() | John Drewry 1977 | Colin Hume | 4 Couple Longways permutation: 2341 |
| Ben the Sailor | ![]() | George McFarren 1808 Regency Dances | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Catalina Express | ![]() | Doris Fisher ~2016 | ![]() | Square |
| Chuck's Strathspey | ![]() | Frank Wu 2013 | ![]() | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Farewell to Auchterarder | ![]() | Bill Hamilton 1967 | ![]() | Square |
| The Four Branches | ![]() | Bill Hartung ~2016 | ![]() | 4 Couple Longways permutation: 2341 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Ian Powrie's Farewell to Auchterarder | ![]() | Bill Hamilton 1967 | ![]() | Square |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Library of Birmingham | ![]() | Kenneth J Reid 2015 | ![]() | 4 Couple Longways permutation: 3142 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Le Palindrome | ![]() | Anonymous ~2022 | ![]() | Circle as many as will |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Santa Monica Rag | ![]() | Los Angeles Branch Demonstraion Team ~2016 | ![]() | 4 Couple Longways permutation: 2413 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Tuolumne Tournée | ![]() | Shirley Saturensky 1994 | ![]() | 4 Couple Longways permutation: 2413 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Winter Solstice | ![]() | Wendy Crouch 1988 | Bare Necessities | Custom permutation: 53412 |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 11 | 11 | 2 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
Bars: however long is needed.
Promenading consists of dancing beside your partner, holding hands. There are various hand positions. The most common one has both hands in front, right hand in partner's right, left in partner's left.
Sharp uses a promenade in his interpretation of Adson's Saraband, Playford, 1651. But I'm not sure he is right to do so. Playford says:
First cu. lead down between the rest, come with a compass to your places, the rest following
Which sounds rather different to me.
The concept of "promenading" came over from France with Cotillions.
Thomas Hurst, in his The Cotillons Made PLAIN and EASY, 1769, (page 9), defines promenading:
TWELFTH CHANGE, The Promenade, or Walk.Every Gentleman takes his Partner by the Left-Hand; and putting his Right-Hand round her Waist; in this Manner they follow each other all round in a great Ring, and finish in their proper Places.
Note, this is not the modern skaters' hold promenade
I think Wilson may be the first to suggest joining hands in front, in his The Quadrille and Cotillion Panorama:
6.—PROMENADE, THE GREATAll the four couples cross hands with their partners, and move round in a circle to places.
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