

| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
The 29th of May
| ||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Alexander's Birth Day | ![]() | Gary Roodman 2003 | Doug Creighton, Erica Morse, Gene Murrow, Naomi Morse, Peter Barnes | Facing Couples | ||||||||||
| The Ape's Dance | ![]() | John Playford 1675 Colin Hume 2025 | Colin Hume | Duple Minor | ||||||||||
Argeers
| ||||||||||||||
| Argeres | ![]() | John Playford 1651 John Playford 1994 Playford Ball | Bare Necessities | Facing Couples | ||||||||||
| Auld Lang Syne ~ Williams | ![]() | Thomas Wilson 1816 George Williams 2022 | Colin Hume | Triple Minor | ||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Bar-a-Bar | ![]() | John Young 1710 Fried de Metz Herman 1986 Playford Assembly | Bare Necessities | Duple Minor |
| Barr a Barr | ![]() | John Young 1710 Fried de Metz Herman 1986 Playford Assembly | Bare Necessities | Duple Minor |
| The Bath Waltz | ![]() | Thomas Wilson 1816 Colin Hume 2023 | Colin Hume | 3 Couple Longways permutation: 312 |
| The Belle of Greensboro | ![]() | Gary Roodman 2012 | Susan McNeill and Robert Winokur | Duple Minor |
| Bishops Hey | ![]() | Jill Lawrence 1979 | Colin Hume | 5 Couple Longways permutation: 23451 |
| Bransle in the Barn | ![]() | Melanie Axel-Lute 2015 | Odd Sundays Garage Band | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Catherine's Calling | ![]() | Joseph Pimentel 2019 | Goldcrest | Duple Minor | ||||||||||
| Charlene's Celebration | ![]() | Gary Roodman 2005 | Anna Patton, Karen Axelrod, Mary Lea | 4 Couple Longways permutation: 2413 | ||||||||||
| Christina | ![]() | Naomi Christina Alexander 1992 | Bare Necessities | Duple Minor | ||||||||||
| Christine's Conundrum | ![]() | Colin Hume 2001 | Colin Hume | Facing Couples Becket | ||||||||||
| Cobbler's Hornpipe - Beer,3 Couple | ![]() | Jenny Beer 2008 | Colin Hume | 3 Couple Longways permutation: 231 | ||||||||||
| Cobbler's Hornpipe - Beer,Duple | ![]() | Jenny Beer 2003 | Colin Hume | Duple Minor | ||||||||||
| Companions | ![]() | Victor Skowronski 2003 | Bare Necessities | Duple Minor | ||||||||||
| The Cressons | ![]() | Gary Roodman 2018 | Cilantrio | Duple Minor | ||||||||||
| Crosbey Square ~ Bolton | ![]() | Henry Playford 1701 Charles Bolton 1997 | Colin Hume | Duple Minor | ||||||||||
| Cuckles all a Row | ![]() | Lovelace Manuscript ~1649 George Williams 2022 | A Playford Ball Bare Necessities | Facing Couples | ||||||||||
Cuckolds all a Row
| ||||||||||||||
| Cuckolds all Awry ~ Sharp | ![]() | Lovelace Manuscript ~1649 Cecil Sharp 1911 Playford Ball | A Playford Ball Bare Necessities | Facing Couples | ||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Fast Packet | ![]() | Bob Lilley 1987 | Bare Necessities | Duple Minor |
| Father's Day | ![]() | Gary Roodman 2000 | Cilantrio | 4 Couple Longways permutation: 3142 |
| Flowers of Edinburgh - Mayfaire | ![]() | Traditional (date unknown) | Colin Hume | Duple Minor |
| The Flying Sorceress | ![]() | Kalia Kliban 2007 | Bare Necessities | Duple Minor |
| From Wandsworth | ![]() | Joseph Pimentel 2018 | Goldcrest | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Gambols | ![]() | Jenna Simpson 2014 | Colin Hume | 4 Couple Longways permutation: 3142 |
| Goddesses #2 | ![]() | John Young 1721 George Williams 2026 | Colin Hume | Quadruple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| The Happy Pilgrim | ![]() | Gary Roodman 2023 | Anna Patton, Karen Axelrod, and Kate Barnes | 4 Couple Longways Becket permutation: 2341 | ||||||||||
A Health to all Honest Men
| ||||||||||||||
| Hey, Boys, up Go We (Sharp) | ![]() | Lovelace Manuscript ~1649 Cecil Sharp 1911 Playford Ball | A Playford Ball Bare Necessities | Facing Couples | ||||||||||
| Hobb's Wedding | ![]() | Henry Playford 1695 Colin Hume 2007 | Colin Hume | Duple Minor | ||||||||||
The Hungarian Waltz
| ||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Jackson Fine | ![]() | Joseph Pimentel 2019 | Goldcrest | Duple Minor |
| John the Mad Man ~ Hume | ![]() | John Young 1726 Colin Hume 2025 | Colin Hume | Duple Minor |
| Joy(ce) of the Town | ![]() | Gary Roodman 2008 | Bare Necessities | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| A Kissing Dance in the Country Wake | ![]() | Henry Playford 1695 Colin Hume 2007 | Colin Hume | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Lady Banbury's Hornpipe
| ||||||||||||||
| Lewis Setting Switches | ![]() | Joseph Pimentel 2018 | Goldcrest | Duple Minor | ||||||||||
| Lichfield's Ruby Surprise | ![]() | Gary Roodman 2015 | Cilantrio | Duple Minor | ||||||||||
| Longevity | ![]() | Orly Krasner 2000 | Bare Necessities | Duple Minor | ||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Mad Moll
| ||||||||||||||
| Mayfair | ![]() | Colin Hume 1990 | Colin Hume | Facing Couples | ||||||||||
| Michael and All Angels | ![]() | Fried de Metz Herman 1992 | Bare Necessities | Duple Minor | ||||||||||
| Mr. Adson's Masque | ![]() | Gary Roodman 2003 | Erica Morse, Jessica Murrow, lydia ievins, and Margaret Ann Martin | Duple Minor | ||||||||||
| Mr. Legge's Initiation | ![]() | Joseph Pimentel 2005 | Goldcrest | Duple Minor | ||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| New Friends | ![]() | Gary Roodman 2003 | MGM and Reunion | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Off She Goes ~ Howe | ![]() | Thomas Wilson 1816 Elias Howe 1858 | Colin Hume | Triple Minor |
| The Opera | ![]() | John Playford 1675 Colin Hume 2025 | Colin Hume | Duple Minor |
| Orleans Baffled | ![]() | John Young 1710 Cecil Sharp 1916 Playford Ball | Bare Necessities | Triple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Passages | ![]() | Kalia Kliban 2008 | Odd Sundays Garage Band | Duple Minor | |||||||||||||||
Petronella
| |||||||||||||||||||
| The Physical Snob | ![]() | Unknown ~1800 Bernard Bentley 1962 Playford Assembly | Bare Necessities | 3 Couple Longways permutation: 231 | |||||||||||||||
| The Prince of Westborough | ![]() | Paula Kelley 2006 | Bare Necessities | Duple Minor | |||||||||||||||
| The Princess 1701 ~ Hume | ![]() | Henry Playford 1701 Colin Hume 2009 | Bare Necessities | Duple Minor | |||||||||||||||
| The Prussian Waltz | ![]() | Thomas Wilson 1816 Colin Hume 2023 | Colin Hume | 3 Couple Longways permutation: 312 | |||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| A Retiring Fellow | ![]() | Gary Roodman 1999 | MGM and Reunion | 4 Couple Longways permutation: 3142 |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Set For Spring | ![]() | Joseph Pimentel 2015 | Goldcrest | Duple Minor |
| Sweet Potato Pie | ![]() | Sharon McKinley ~2014 | Odd Sundays Garage Band | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Three Weddings | ![]() | Colin Hume 2007 | Dampier's Round | Duple Minor | ||||||||||
| Treasure of the Big Woods | ![]() | Joseph Pimentel 2005 | Goldcrest | Duple Minor | ||||||||||
| Trip to Komodo | ![]() | Gary Roodman 2020 | Anna Patton, Eric Martin, and Karen Axelrod | 4 Couple Longways permutation: 2413 | ||||||||||
| Turn of the Tide | ![]() | Ron Coxall 1999 | Bare Necessities | Duple Minor | ||||||||||
The Twenty-Nineth of May
| ||||||||||||||
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| Venables | ![]() | Joseph Pimentel 2018 | Goldcrest | Duple Minor |
| Vines Entwined | ![]() | Dan Blim 2024 | Frank Hoppe | Duple Minor |
| Dance Title | Type | Deviser (or Editor/Publisher), Date, Interpreter | Music Performers | Formation |
|---|---|---|---|---|
| The Wedding Night | ![]() | John Playford 1651 John Playford 1994 Playford Ball | Bare Necessities | Facing Couples |
| Number of dances | Number of versions | Number with music |
|---|---|---|
| 58 | 66 | 65 |
Warning: The figures for each dance is generated programmatically by regular expression matching and may be in error. Also, for old dances, they reflect the figures used by the interpreter which may not match those of the deviser.
Also known as: Put Back, Draw.
Bars: 8 for a full, 4 for a half.
Poussette is a French term, originally meaning little push, and now meaning a baby stroller or perambulator.
Poussettes have a direction which may be specified in various ways as “clockwise”, or “1st corners push”, or “man 1 push, man 2 pull”. In a poussette you take hands with the person across the set (often your partner). Then one of you walks diagonally forward (1s down the set, 2s up) while the other backs up for 4 counts, then everything reverses and the one walking forward now backs up while the one backing up walks forward (but still moving the same way up or down). This is half a poussette.
In a full poussette you continue with the same circular motion until you end up exactly where you started.
![]() | ![]() | ![]() | ![]() | ![]() | ![]() |
| Cooper's Rotational Poussette | Waltzing Turn Poussette | Waltz Poussette? | (R)SCDS Poussette | (R)SCDS Strathspey Poussette | Chevron Poussette |
The poussette is an old country dance figure which acquired a French name in about 1770 when Cotillions came over from France. In Playford's day it seems to have been called "put-back" or, "draw" (depending on whether M1 was pulling, or pulling. Note: This is different from the modern "draw poussette", which Colin Hume suggests is a modern misunderstanding).
Playford's The 29th of May (1686) has a nice description of a(n English) poussette:
First cu. take hands, the 2. cu. doing the like at the same time; then the 1. man puts back his wo. and slips down behind the 2. wo. into the 2. cu. place, while the 2. man draws his wo. to him and slips into the 1. cu. place. Do this back again the same way;
While the even earlier Cuckolds all arow (1651) describes a half poussette:
Men put the co. we. back by both hands, fall even on the co. side
The same dance appears in the Lovelace MS which was penned a few years before Playford. It also uses a poussette, though it does not describe it as well:
then each man shall take the woeman, that is right over against him, and the one shall draw her upwards and the other downwards; and presently draw them againe close together in theire places halding hands
The Neals also give a fairly clear description from Dublin in 1726 in the dance A Young Virgin of 15 Years
1st & 2d men take both hands wth their partner's and back to back till in their own places:
The Regency Dance Site has a nice paper by Paul Cooper giving the history of the poussette in English dancing. Most English Country Dances use what Cooper calls a "Rotational Poussette", either going half way round in 4 bars to be progressive, or all the way round in 8 ending back where you started.
Wilson, in his Complete System of English Country Dancing defines a "Half pousette or draw" which is what most people before him called a full poussette, while his "whole poussette" goes round once and a half times.
In William Campbell's 14th book (~1799) is a dance called Lord Nelson's Waltz. The instructions call for a "Poussette" to fill the last 16 bars (at waltz tempo). Both the Regency Dance site and Alan Winston say this should be a "Waltzing Turn Poussette". As yet I have found no contemporary description of this figure, and rely on Winston's description.
By ~1820 something called a "Waltz Poussette" appeared (this may be the same as the waltzing turn poussette?). As far as I know no one ever bothered to define it, so we aren't sure what it entailed. However on page 9 of Lowe's Selection of Popular Country Dances (Edinburgh, 1853) in the description of Spanish Country Dance:
Then pousette, Waltzing round each other. (16 Bars)
This is the final figure of the dance, and needs to be progressive. It suggests to me that the two couples waltzed around each other several times (they had 16 bars) before ending in each others' places. Cooper's paper says that in dances imported from Spain the words "waltz" and "poussette" were used synonymously.
In the US, in 1802, Saltator wrote:
POUCETTE, is to give both hands to partners, by couples and dance round each other, in the time of right and left.
Asa Wilcox was using poussettes in ~1793:
Colledge HornpipeFour hand cross roud back again first & third Couple Draw cross over one Couple - Right & left at top -
As was Saltator in 1802 (see Lasses of Glasgow).
But after that Poussettes died out in the United States, and Howe (who published from 1858-1880 in Boston) did not used them.
This website is copyright © 2021-2026 by George W. Williams V My work is licensed under a Creative Commons Attribution 4.0 International License. Most of the dances have more restrictive licensing, see my notes on copyright, the individual dance pages should mention when some rights are waived.